The trailer for BBC's Torchwood Season 2 just hit the web. Season 1 was hit or miss, but Season 2 has appearances from Buffy's James Marsters and Marta Jones from Doctor Who.
Check out the trailer.
Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts
Saturday, December 22, 2007
Monday, December 17, 2007
TV - Battlestar Galactica Propaganda
This site just posted a set of Battlestar Galactica Propaganda posters. They are very sweet.
Check them out.
Friday, December 14, 2007
TV - Knight Rider lives again.
Well it was only an matter of time. Knight Rider will be returning to the small screen with David Hasselhoff in tow. NBC has just commissioned a tv movie that could potentially turn into a new series. I guess the series revolves around Michael Knight's son and the next generation of KITT. KITT 2.0 is also now a Ford Mustang. This show could be really cool, or it could be complete crap. I'm betting it will be crap, but you never know. I guess we'll have to wait till next season to know for sure.
You can read all about it HERE on Ain't it Cool News.
Friday, November 30, 2007
TV - Conan O'Brien vs Walker Texas Ranger
If you like Conan O'Brien and Walker Texas Ranger, then you'll love this clip.
I give it a 3 of 4 ass Monkey
Monday, November 19, 2007
TV - Simpsons vs Alan Moore
Last night comics writer Alan Moore had a guest appearance on the Simpsons. It was priceless. I need to score me a copy of Watchmen Babies.
Friday, November 9, 2007
TV - Battlestar Galactica: Razor
I was able to get a sneak of this thanks to a heads up from my buddy Chuck. I can't say anything about this, cause it'll spoil the show. All I can say is it kicked all sorts of ASS.
I give it a 4 of 4 Ass Monkey.
Also I recommend that you check out the Battlestar Galactica Flashback webisodes before watching this. They are on the Sci-Fi website. You can check them out HERE.
Thursday, November 8, 2007
Thursday, November 1, 2007
TV & Movies - Writer's Strike - WTF
As most of you know I work in the entertainment business. It sounds alot more special then it is, as I work in the ass end of business, Visual Effects. However even though I work in VFX there happens to be a HUGE writer's strike looming that could potentially effect my job. Many folks have asked me what the deal is with the strike and although I knew it was happening, I did not know all the details. Well as it turns out I was browsing my usual toy boards this AM and came across this post that gives a pretty good explanation of what's going on with the strike. It's a tad long, but very informative.
The WGA is one of the three main guilds in Hollywood along with the Director's Guild(DGA) and Screen Actor's Guild(SAG). Due to various abuses by studios since the beginning of the medium the guilds were formed to protect their members through collective action. The guilds provide members with health care plans, since nearly all jobs in the movie industry are contract work and the employers don't offer any. They manage the royalties issued to their members. This last thing is the main issue in the current situation.
Each guild contains pretty much everyone in their particular craft in Hollywood that actively works with the studios. The major studios have signed agreements with the guilds that they will only employ their members, or individuals who get waivers from the Guild that represents their craft.
There are directors who aren't members of the DGA like Quentin Tarantino, who mostly work with non-Guild signatories. Most actors are in SAG but usually every one joins because it's next to impossible to get work unless you're a member.
Every working writer in Hollywood is a member of the WGA. Every director of a studio film is a member of the DGA, as is every assistant Director(the bulk of the membership). You may recall Robert Rodriguez was going to direct John Carter of Mars for Paramount but had to quit because he gave up his DGA membership to co-direct Sin City with Frank Miller(co-directing a film is against guild rules unless it's a pre-established team, such as the Wachowskis who made the Matrix).
The reason the guilds insist on this is because the situation for writers, director's and actors before the guilds was horrible, with rampant abuse by the studios(we're talking 1920s, 1930s here). Their only strength lies in the group, if a significant number of quality writers weren't members of the WGA then the ones who were members would be black listed, and the abuses would almost certainly start again.
These contracts with the studios expire every few years and get renegotiated each time they end. Sometimes those negotiations go badly and the guild strikes. The last time the WGA struck was 1988. That strike didn't end too well for the WGA and at the last renegotiation the WGA didn't make too good of a deal with the studios, in order to avoid a strike.
The main issues this time are that the writer's want an increased percentage of dvd sales(they currently get 4¢ for every dvd sold of a movie they have written, they want 8¢ per dvd) and to negotiate a percentage of any revenue from internet downloads. Currently that revenue is negligible but they're planning for the future. Also there are certain issues that writers want resolved, such as studios demanding free rewrites on screenplays they buy, whereas they used to pay per draft.
The studios initially wanted all revenue sharing to end, but that was not a serious demand and they took it off the table to make themselves appear to be reasonable.
The Writer's Guild contract has ended at 12:01am November 1st. The Screen Actor's Guild and Director's Guild of America contracts end on June 1st. The thinking is that the WGA was going to wait until June 1st to strike, working until that time without a contract(following the terms of the now expired one) and going on strike with SAG, who have their own complaints. The DGA has only struck once in their entire history, for six minutes. They're traditionally the ones to lead the way to a new deal, as they are both the most conservative and most powerful union(no films or tv shows being possible without their membership).
The past several months has seen the studios stockpiling and fast-tracking movie projects based on the belief that the strike would happen in June. This was meant to give them a surplus of material to release in the event of a strike. This was a fairly well known strategy and the Writer's Guild decided that they'd be stupid to give the studios so much time to prepare, so they decided to threaten to strike early when it would do far more damage.
As it stands right now as I write this the Writer's Guild contract has expired and the negotiations have ceased, the WGA can go on strike at any moment, they are expected to do so starting next week.
What this means to the audience is that all tv production aside from reality shows will necessarily cease by the end of November due to lack of scripts. There are several episodes in the can for most shows(not sitcoms) but only 2-3 at best. No movies in preproduction can move forward(rewrites are constant until date of production begins, and sometimes throughout), so if a movie has not started shooting yet, such as the Justice League movie, it likely will not begin until the strike is over(assuming one is called).
Beware of what you read about this situation in newspapers and magazines and movie websites. All of those places entirely depend on studio advertising to survive, so there is not even a real assumption of neutrality there. If they upset the studios they can and will go out of business. If they upset the WGA they will be fine.
This is not a situation like when the baseball players went on strike, where millionaires were complaining about being shortchanged by the team owners. None of the rich WGA members stand to benefit from any new deal, they already have a better deal than what will be negotiated. The deal being negotiated is for the minimum terms available to a writer.
This will solely benefit the lowest rung of writers, who are not rich and have to work very hard to make a living. The number of top tier writers is 20 or so, the total number of WGA members is upwards of 12,000.
The same is true of the Screen Actors Guild, where the really rich and famous(or even semi-famous) actors are less than 1% of the total membership.
- fin
What's up with the Writer's Strike?
The WGA is one of the three main guilds in Hollywood along with the Director's Guild(DGA) and Screen Actor's Guild(SAG). Due to various abuses by studios since the beginning of the medium the guilds were formed to protect their members through collective action. The guilds provide members with health care plans, since nearly all jobs in the movie industry are contract work and the employers don't offer any. They manage the royalties issued to their members. This last thing is the main issue in the current situation.
Each guild contains pretty much everyone in their particular craft in Hollywood that actively works with the studios. The major studios have signed agreements with the guilds that they will only employ their members, or individuals who get waivers from the Guild that represents their craft.
There are directors who aren't members of the DGA like Quentin Tarantino, who mostly work with non-Guild signatories. Most actors are in SAG but usually every one joins because it's next to impossible to get work unless you're a member.
Every working writer in Hollywood is a member of the WGA. Every director of a studio film is a member of the DGA, as is every assistant Director(the bulk of the membership). You may recall Robert Rodriguez was going to direct John Carter of Mars for Paramount but had to quit because he gave up his DGA membership to co-direct Sin City with Frank Miller(co-directing a film is against guild rules unless it's a pre-established team, such as the Wachowskis who made the Matrix).
The reason the guilds insist on this is because the situation for writers, director's and actors before the guilds was horrible, with rampant abuse by the studios(we're talking 1920s, 1930s here). Their only strength lies in the group, if a significant number of quality writers weren't members of the WGA then the ones who were members would be black listed, and the abuses would almost certainly start again.
These contracts with the studios expire every few years and get renegotiated each time they end. Sometimes those negotiations go badly and the guild strikes. The last time the WGA struck was 1988. That strike didn't end too well for the WGA and at the last renegotiation the WGA didn't make too good of a deal with the studios, in order to avoid a strike.
The main issues this time are that the writer's want an increased percentage of dvd sales(they currently get 4¢ for every dvd sold of a movie they have written, they want 8¢ per dvd) and to negotiate a percentage of any revenue from internet downloads. Currently that revenue is negligible but they're planning for the future. Also there are certain issues that writers want resolved, such as studios demanding free rewrites on screenplays they buy, whereas they used to pay per draft.
The studios initially wanted all revenue sharing to end, but that was not a serious demand and they took it off the table to make themselves appear to be reasonable.
The Writer's Guild contract has ended at 12:01am November 1st. The Screen Actor's Guild and Director's Guild of America contracts end on June 1st. The thinking is that the WGA was going to wait until June 1st to strike, working until that time without a contract(following the terms of the now expired one) and going on strike with SAG, who have their own complaints. The DGA has only struck once in their entire history, for six minutes. They're traditionally the ones to lead the way to a new deal, as they are both the most conservative and most powerful union(no films or tv shows being possible without their membership).
The past several months has seen the studios stockpiling and fast-tracking movie projects based on the belief that the strike would happen in June. This was meant to give them a surplus of material to release in the event of a strike. This was a fairly well known strategy and the Writer's Guild decided that they'd be stupid to give the studios so much time to prepare, so they decided to threaten to strike early when it would do far more damage.
As it stands right now as I write this the Writer's Guild contract has expired and the negotiations have ceased, the WGA can go on strike at any moment, they are expected to do so starting next week.
What this means to the audience is that all tv production aside from reality shows will necessarily cease by the end of November due to lack of scripts. There are several episodes in the can for most shows(not sitcoms) but only 2-3 at best. No movies in preproduction can move forward(rewrites are constant until date of production begins, and sometimes throughout), so if a movie has not started shooting yet, such as the Justice League movie, it likely will not begin until the strike is over(assuming one is called).
Beware of what you read about this situation in newspapers and magazines and movie websites. All of those places entirely depend on studio advertising to survive, so there is not even a real assumption of neutrality there. If they upset the studios they can and will go out of business. If they upset the WGA they will be fine.
This is not a situation like when the baseball players went on strike, where millionaires were complaining about being shortchanged by the team owners. None of the rich WGA members stand to benefit from any new deal, they already have a better deal than what will be negotiated. The deal being negotiated is for the minimum terms available to a writer.
This will solely benefit the lowest rung of writers, who are not rich and have to work very hard to make a living. The number of top tier writers is 20 or so, the total number of WGA members is upwards of 12,000.
The same is true of the Screen Actors Guild, where the really rich and famous(or even semi-famous) actors are less than 1% of the total membership.
- fin
Tuesday, October 9, 2007
TV - Moonlight
From our friends at TV.com.
Moonlight follows Mick St. John (Alex O'Loughlin), an immortal vampire and private investigator and his struggle to exist after he was bitten 60 years ago by his vampire bride on their wedding night. It also follows his internal torment as he falls in love with one he should not, one who is mortal named Beth (Sophia Myles), a news reporter, as well as his dealings with the woman who made him a vampire, his sire Coraline (Shannyn Sossamon).
WOW!!! is this bad. I'm mean it's Alias season 3 bad. It's like a 4th grader wrote this crap. It opens with a voice-over exposition of the lead character Private Eye Mick St. John talking about being a 60 year old vampire and how cool it is. I mean really, is this necessary? Really, come on. This whole show is so cliché, it's like a joke but no one is laughing. The story meanders on as Mick St. John (god, I love that name) solves this episodes big "who done it". Along the way we discover some of Mick's back story and it revolves around a little girl he saved back in the 80's. We'll it turns out it's twenty years later and she grew up to be a internet news reporter named Beth and is smoking hot. ( go figure) Mick is of course falling in love with her, but alas she is the forbidden fruit as he saved her as a child and it would be creepy if they "did it"...Or would it?
The show is made for fans of the "Gilmore Girls" and the "Princess Diaries", who as you can imagine are mostly women. The only saving grace is a few of the minor background characters. They have Jason Dohring (Logan Echolls from Veronica Mars) as Josef Konstantin, a centuries old vampire, and St. John's mentor. He is horribly miss-cast, but fun to see on the screen again. Also Kevin Weisman (Marshall Flinkman from Alias) plays a super small role as Beth's cameraman, although he is not on the cast list for future episodes I hope he shows up again.I might turn in for episode 02 as I like to give even bad tv a few episodes. Heck as most of you know I stuck with Alias till the bitter end. But for now I give this show
1 of 4 Ass Monkey.
Friday, September 14, 2007
TV - Chuck & Journeyman
2 Ass Monkey - Average
Chuck Bartowski (Zachary Levi) is a socially awkward twenty-something who works as a computer expert at a "Geek Squad" inspired techbench at his local electronics retailer with his best friend, Morgan Santos (Joshua Gomez). Chuck's sister, Ellie (Sarah Lancaster), is a doctor who is constantly looking out for his best interests and wants to help him find a girlfriend. On the night of his birthday party, Chuck receives an e-mail from his former Stanford University roommate, Bryce Larkin, who is now a CIA agent. When he opens it, he unwittingly downloads an entire server of sensitive data, once only privy to the government of the United States, into his brain. Both the NSA and the CIA want the intelligence returned to them and dispatch agents of their own, Major John Casey (Adam Baldwin) and Sarah Walker (Yvonne Strzechowski), respectively, to retrieve the data. As Chuck experiences flashes of memory activated by certain subliminal triggers, he must use the knowledge he now possesses to help the government thwart assassins and international terrorists, thereby upending his previously uneventful life. Chuck's decision to keep his newfound occupation a secret from his family and friends and to live his life as normally as possible forces Casey and Walker to establish an uneasy alliance with the shared goal of protecting Chuck at all costs. Read more HERE.
Okay 1st thing, Yvonne Strzechowski is HOT!!!!!. Damn. She is reason enough to watch this show. The plot is pretty stupid, but once you get past that it's kinda fun. There is nothing new under the sun here.... I kind of expected more considering it was developed by "OC" creator Josh Schwartz. However it does have a great cast. Sarah Lancaster, who was in last years "What about Brian", is great as Chuck's sister and our buddy Adam Baldwin, who we've all missed since "Firefly", plays a CIA tough. I'll keep tuning in as this could turn out to be a really fun show, but the pilot kind of left me under-welled.
But remember Yvonne Strzechowski is HOT!!!!!
4 Ass Monkey - Excellent
Dan Vasser (Kevin McKidd) thought he had it all: a loving wife, a great son and a steady job. But life suddenly throws him a curve ball. Dan finds himself traveling into the past with a purpose — impacting people's lives for the better — and sometimes the worse. While doing so, Dan reconnects with Livia Beale (Moon Bloodgood), his ex-fiancée, whom he lost in a mysterious plane crash. Now armed with the knowledge of the present, will he be able to save her? What would that mean to his own future? And how would it change a man who thought he had it all. Read more HERE.
Okay now this is what I'm talking about. This is how you do a TV pilot. FUCK!!! There is noting like a good story that pulls you in right from the get go. I know a lot of folks are worried that this is "Quantum Leap" the next generation. Don't get me wrong the premisses are almost the same, but this is a great spin on the whole "man travels back in time" thing. The best part is that this show may even have BALLS. The one thing I hate about time travel stories is that everyone is always worried about fucking up their present timeline, I think this show may have the balls enough to break that stereotype. Another good as aspect to this show is there is no exposition. Dan Vasser doesn't know how or why he can go back in time, and neither do we, this makes the story that much more interesting.
Kevin McKidd is great as the lead. He has a whole Daniel Craig/James Bond vibe going on. He just throws himself into situations without thinking of the consequences. I have to say out off all the TV pilots I've seen over the last few years, nothing as grabbed me like this since "Alias". The sad part is we all know what happened to Alias. However I have high hopes and I'm looking forward to watching the mystery of the Journeyman unfold.
As always let me know what you think.
Monday, September 10, 2007
TV - Look, I'm a feature-film Director and I directed a TV pilot.
I downloaded a few early sneak peaks of the fall TV season last week. "Pushing Daisies" & "Reaper". Both directed by feature-film Directors.
Pushing Daisies is a "forensic fairy tale" that focuses on Ned (Lee Pace), a piemaker with a mysterious ability to make the dead live again. The gift is not without its complications, however: if he touches this being a second time, they'll be dead permanently. If they live for more than 60 seconds, somebody else nearby will die. It's a gift that he puts in good use to help a private investigator friend, Emerson Cod (Chi McBride) and his childhood sweetheart, the once-dead Charlotte "Chuck" Charles (Anna Friel). Read more HERE.
This was a fun show, and very well stylized. Feature film Director Barry Sonnenfeld ("Men in Black", "Get Shorty") is an Executive Producer and also directed the 1st episode. And it really shows. It's got a funny and quirky pace to it and Lee Pace is really great as the lead. The only real problem is that I have no idea how they are going to make it interesting week after week. This is a really high concept show, but if you bottom line it I think it will be your run-of-the-mill comedy murder mystery show where Ned will help Emerson solves weird and wacky murder cases every week. It will be interesting to se how they develop a relationship between Ned and Chuck as they can never touch or she will die. The true test will be if the creators can keep that going while also staying true to the fairy tell elements in the pilot.
The story focus's on a young man named Sam Oliver (Bret Harrison). Throughout Sam's life, he always wondered why his Mom and Dad were so easy on him—whether it was sports, school, or career choices—and so hard on his brother, Keith to succeed. Because of it, Sam decides not to go to college, and takes a deadbeat job, wasting most of his time playing video games, wishing he could ask out his co-worker Andi (Missy Peregrym).
Everything changes in Sam's life once he turns 21 and finds out the reason his parents let him get by with the least possible effort was because they sold his soul to the devil before he was born. Satan (Ray Wise) explains to Sam that he must serve as his bounty hunter, tracking down souls that have escaped from Hell.
Sam is armed with "vessels" to collect the escaped souls, the first "vessel" being a Dirt Devil mini-vac. Sam finds that the work is dangerous and frightening, even with the goof ball help of his friends and fellow slackers, Bert "Sock" Wysocki (Tyler Labine), Ben (Rick Gonzalez ), and Sock's former girlfriend, Josie (Valarie Rae Miller). As bizarre as his life becomes, Sam feels good about his new found "mission", removing evil souls from the world and sending them back to where they belong. Along with his friends and his vessel of the week, Sam prepares to face his destiny as the "Reaper. Read more HERE.
Okay so "Reaper" was directed by Kevin Smith ("Clerks", "Chasing Amy") and given the material I can't say I'm too shocked. I wouldn't call Kevin Smith a stylized director by any stretch. Not that he did anything to hurt this show,it looks fine, however he didn't bring anything visually interesting to it either. This could have been directed by anyone, which is too damn bad cause there were some good opportunities for some great visuals in this show. I don't think I'd offend Kevin Smith by saying that, he knows his strongest asset is his writing and as far as the writing goes it's not too bad. Although he did not conceive the show, I'm sure he threw his 2 cents in just to spice up the script.
It's a fun show and depending on how that handle the escaped souls aspect of the show it could be really great. The pilot was 60 mins which was fine cause there was a lot of story that need to be told in the 1st episode, but this really needs to be a 30 min show, like Scrubs. An hour is gonna be way too long every week and will end up killing the show.
The stand outs in the cast are Ray Wise, from "Twin Peaks" fame, as Satan. He's creepy and funny at the same time. Also Tyler Labine as Sock is really funny. He was great in "Invasion" a few years ago and it's nice to see him on the screen again.
As always check these shows out and and let me know what you think.
- "Pushing Daisies" - description from our buddies at wiki -
Pushing Daisies is a "forensic fairy tale" that focuses on Ned (Lee Pace), a piemaker with a mysterious ability to make the dead live again. The gift is not without its complications, however: if he touches this being a second time, they'll be dead permanently. If they live for more than 60 seconds, somebody else nearby will die. It's a gift that he puts in good use to help a private investigator friend, Emerson Cod (Chi McBride) and his childhood sweetheart, the once-dead Charlotte "Chuck" Charles (Anna Friel). Read more HERE.
This was a fun show, and very well stylized. Feature film Director Barry Sonnenfeld ("Men in Black", "Get Shorty") is an Executive Producer and also directed the 1st episode. And it really shows. It's got a funny and quirky pace to it and Lee Pace is really great as the lead. The only real problem is that I have no idea how they are going to make it interesting week after week. This is a really high concept show, but if you bottom line it I think it will be your run-of-the-mill comedy murder mystery show where Ned will help Emerson solves weird and wacky murder cases every week. It will be interesting to se how they develop a relationship between Ned and Chuck as they can never touch or she will die. The true test will be if the creators can keep that going while also staying true to the fairy tell elements in the pilot.
- "Reaper" - description from our buddies at wiki -
The story focus's on a young man named Sam Oliver (Bret Harrison). Throughout Sam's life, he always wondered why his Mom and Dad were so easy on him—whether it was sports, school, or career choices—and so hard on his brother, Keith to succeed. Because of it, Sam decides not to go to college, and takes a deadbeat job, wasting most of his time playing video games, wishing he could ask out his co-worker Andi (Missy Peregrym).
Everything changes in Sam's life once he turns 21 and finds out the reason his parents let him get by with the least possible effort was because they sold his soul to the devil before he was born. Satan (Ray Wise) explains to Sam that he must serve as his bounty hunter, tracking down souls that have escaped from Hell.
Sam is armed with "vessels" to collect the escaped souls, the first "vessel" being a Dirt Devil mini-vac. Sam finds that the work is dangerous and frightening, even with the goof ball help of his friends and fellow slackers, Bert "Sock" Wysocki (Tyler Labine), Ben (Rick Gonzalez ), and Sock's former girlfriend, Josie (Valarie Rae Miller). As bizarre as his life becomes, Sam feels good about his new found "mission", removing evil souls from the world and sending them back to where they belong. Along with his friends and his vessel of the week, Sam prepares to face his destiny as the "Reaper. Read more HERE.
Okay so "Reaper" was directed by Kevin Smith ("Clerks", "Chasing Amy") and given the material I can't say I'm too shocked. I wouldn't call Kevin Smith a stylized director by any stretch. Not that he did anything to hurt this show,it looks fine, however he didn't bring anything visually interesting to it either. This could have been directed by anyone, which is too damn bad cause there were some good opportunities for some great visuals in this show. I don't think I'd offend Kevin Smith by saying that, he knows his strongest asset is his writing and as far as the writing goes it's not too bad. Although he did not conceive the show, I'm sure he threw his 2 cents in just to spice up the script.
It's a fun show and depending on how that handle the escaped souls aspect of the show it could be really great. The pilot was 60 mins which was fine cause there was a lot of story that need to be told in the 1st episode, but this really needs to be a 30 min show, like Scrubs. An hour is gonna be way too long every week and will end up killing the show.
The stand outs in the cast are Ray Wise, from "Twin Peaks" fame, as Satan. He's creepy and funny at the same time. Also Tyler Labine as Sock is really funny. He was great in "Invasion" a few years ago and it's nice to see him on the screen again.
As always check these shows out and and let me know what you think.
TV - DAMAGES
Okay so I'm not really in to legal drama's and to be honest I'm not that into Glen Close. So there was not a whole lot here to get me to watch this. I was like even Ted Danson's taupe would get old at some point. However, my bother called and said I should check it out. As there is not a whole lot on the tube at the moment, cause the fall TV season doesn't start for a few weeks, I figured I'd give it a shot. I mean it's got to be better than Flash Gordon right? and I even gave that POS an hour of my life. Anyway, it turns out it's pretty good. Yes, it's a legal drama, but it's really just about one case and the characters involved. And thanks yet again to our friends at wikipedia I don't need to write a description. (I mean there are plenty of folks who write better than me so why do I need to do it.)
The story revolves around a ruthless high powered attorney Patty Hewes (Glenn Close) and her new young associate Ellen Parsons (Rose Byrne), attempting to win a class-action lawsuit against the former CEO of a corporation, Arthur Frobisher (Ted Danson), on behalf of his former workers, by any means necessary.
The premiere episode begins with Ellen running through the streets of New York, visibly stained with blood on her hands and face, and in a state of shock. The police arrive and take her in for questioning, but she refuses to give any information; she simply demands to see a lawyer. Using a bloodied business card found on her with the words "I was warned" and her signature on the back of it, they contact someone who tried to employ her once, and clues start to unfold.
With that the show shifts to its main focus, a timeline six months in the past. It first introduces Patty Hewes, then details how Ellen came to be one of Patty's associates. Hewes is in the midst of a huge class-action lawsuit against Arthur Frobisher, and she is willing to do anything - and use anyone necessary - to win it.
The story shifts back and forth between two timelines, providing connecting details of the case and how it is intertwined between Hewes, Parsons and Frobisher. Read more HERE.
There are some really great performances, especially from Glenn Close (no big shock there) and the show does a really good job of grabbing you an pulling you in. Also it's, I believe, only 12 episodes so they don't have to drag out the story to a 22 season arc.
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